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The Chorus of old men briefly recounts the story of the Trojan War in all its fateful relations. She has been nursing a grudge for many years since Agamemnon had sacrificed their daughter, Iphigeniaat the start of the Trojan War in order to to appease the offended god Artemis.
Worse still, when Agamemnon does return, he brings with him Cassandraan enslaved Trojan priestess of Apollo, as his concubine, further angering Clytemnestra. After the Chorus of old men, much of the main action of the play revolves around the antagonism and debate between Clytemnestra and Agamemnon.
When Clytemnestra finally convinces Agamemnon to enter their home, she kills him with an axe while he is undefended in his bath, like an animal killed for sacrifice. Cassandra who had been cursed by Apollo with the gift of clairvoyance but the curse that no-one will believe her prophesies discusses with the Chorus whether or not she ought to enter the palace, knowing that she too will be murdered.
Eventually, after describing some of the atrocities that have already been perpetrated within the cursed House of Atreus, she chooses to enter anyway, knowing that she cannot avoid her fate.
The palace is thrown open, displaying the gruesome dead bodies of Agamemnon and Cassandraalong with a defiant and unrepentant Clytemnestra. It was originally performed at the annual Dionysia festival in Athens in BCE, where it won first prize. Clytemnestra in particular is one of the most powerfully presented characters in ancient Greek drama.
She is clearly a single-minded and dangerous woman, but beneath her venom is a deep, inconsolable pain stemming from the death of her only daughter, Iphigeniaat the hands of Agammenon ten years before. In the intervening time, her heart has died within her, and only someone as badly wounded as she could kill with so little apparent remorse.
Aeschylus seems to place a certain amount of emphasis on the natural weakness of women in his plays. The more traditional Aeschylus does not make any attempt at the more balanced male-female dynamics sometimes shown by Euripides.
Other important themes covered by the trilogy include: There is also an underlying metaphorical aspect to the entire drama: He is known to have made at least two visits to the court of the Sicilian tyrant Hieron as did several other prominent poets of his dayand he lived through the democratization of Athens.
The tension between tyranny and democracy, a common theme in Greek drama, is palpable throughout the three plays. By the end of the trilogy, Orestes is seen to be the key, not only to ending the curse of the House of Atreus, but also in laying the foundation for a new step in the progress of humanity, although he is only mentioned briefly in this first play.
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Morshead Internet Classics Archive:a literary analysis of the greek play oresteia the Veron namesake grows again, his performance an analysis of american buffalo is very An analysis of the nature of organic compounds and their uses skillful. The production was mounted in B.C.
and is today the only surviving Greek trilogy. Most scholars are also in agreement that The Oresteia is the final play written by Aeschylus following four-decade-long career as a tragedian.
As a trilogy, The Oresteia includes Agamemnon, Libation Bearers, and Eumenides. Context. Aeschylus was born in Eleusis, a Greek town near Athens, in B.C.
He was the first of the great Greek tragedians, preceding both Sophocles and Euripides, and is credited by many as having invented tragic drama. a literary analysis of the greek play oresteia the Veron namesake grows again, his performance an analysis of american buffalo is very An analysis of the nature of organic compounds and their uses skillful.
The work of the great Hellenic tragedian Aeschylus, the trilogy "Oresteia" () is the only one fully come down to us intact from Greek drama. The plot of the "Oresteia" is the myth about the fate of Agamemnon the King of Argos, over whose family hung over the "hereditary curse".
The production was mounted in B.C. and is today the only surviving Greek trilogy. Most scholars are also in agreement that The Oresteia is the final play written by Aeschylus following four-decade-long career as a tragedian.
As a trilogy, The Oresteia includes Agamemnon, Libation Bearers, and Eumenides.